BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Atlanta Concert Reviews - ECPv6.16.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Atlanta Concert Reviews
X-ORIGINAL-URL:https://atlantaconcertreviews.com
X-WR-CALDESC:Events for Atlanta Concert Reviews
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260605T193000
DTEND;TZID=America/New_York:20260605T193000
DTSTAMP:20260604T141314
CREATED:20260124T233403Z
LAST-MODIFIED:20260124T233403Z
UID:18182-1780687800-1780687800@atlantaconcertreviews.com
SUMMARY:Claypool Gold: Primus\, Claypool Lennon Delirium\, The Frog Brigade
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/claypool-gold-primus-claypool-lennon-delirium-the-frog-brigade/
LOCATION:The Caverns Outdoor Amphitheater\, 555 Charlie Roberts Road\, Pelham\, TN\, 37366
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/01/ClaypoolPool-CHAS-20JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260606T183000
DTEND;TZID=America/New_York:20260606T183000
DTSTAMP:20260604T141314
CREATED:20260304T024511Z
LAST-MODIFIED:20260304T024511Z
UID:18652-1780770600-1780770600@atlantaconcertreviews.com
SUMMARY:Dance Gavin Dance
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/dance-gavin-dance/
LOCATION:Coca-Cola Roxy\, 800 Battery Ave SE\, Atlanta\, GA\, 30339
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/03/DanceGavinDance-CCR-06JUN2025.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260606T183000
DTEND;TZID=America/New_York:20260606T183000
DTSTAMP:20260604T141314
CREATED:20260304T032912Z
LAST-MODIFIED:20260304T032912Z
UID:18676-1780770600-1780770600@atlantaconcertreviews.com
SUMMARY:Young the Giant: Victory Garden Tour with Cold War Kids
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/young-the-giant-victory-garden-tour-with-cold-war-kids/
LOCATION:Synovus Bank Amphitheatre at Chastain Park\, 4469 Stella Drive\, Atlanta\, GA\, 30327
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/03/Young-the-Giant-CHAS-06JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260606T190000
DTEND;TZID=America/New_York:20260606T190000
DTSTAMP:20260604T141314
CREATED:20260407T024704Z
LAST-MODIFIED:20260407T024704Z
UID:19097-1780772400-1780772400@atlantaconcertreviews.com
SUMMARY:Chuck Leavell w/ Randall Bramblett
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/chuck-leavell-w-randall-bramblett/
LOCATION:From the Earth Brewing\, 1570 Holcomb Bridge Rd\, Roswell\, GA\, 30076
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2025/11/Cleavell-fteb-06JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260609T200000
DTEND;TZID=America/New_York:20260609T200000
DTSTAMP:20260604T141314
CREATED:20260215T192421Z
LAST-MODIFIED:20260215T192421Z
UID:18468-1781035200-1781035200@atlantaconcertreviews.com
SUMMARY:Stewart Copeland - Have I Said Too Much
DESCRIPTION:A world famous drummer\, Rock and Roll Hall of Famer\, and founding member of The Police\, Copeland steps away from the drum kit to share the stories behind an extraordinary career. This special live event blends conversation\, rare photos\, video clips\, and audience Q&A\, offering an up close look at his journey through rock history\, Hollywood\, and beyond. Known for his intelligence\, humor\, and candid perspective\, Copeland delivers an evening that is as entertaining as it is revealing. \nAs a member of The Police\, Copeland helped create one of the most influential bands of all time\, selling more than 75 million records and earning Grammy and BRIT Awards with era defining hits like “Message in a Bottle\,” “Walking on the Moon\,” and “Every Breath You Take.” Beyond the band\, his creative reach spans film scores\, opera\, ballet\, orchestral works\, and bestselling books\, making him a rare and restless artistic force. \nSet within City Winery’s intimate venue\, this is a rare opportunity to hear directly from a bona fide rock legend while enjoying signature wines and dining. Seating is limited\, so reserve early and join us for a compelling night of music history\, storytelling\, and conversation. \n 
URL:https://atlantaconcertreviews.com/event/stewart-copeland-have-i-said-too-much/
LOCATION:City Winery Atlanta\, 650 North Avenue\, Atlanta\, GA\, 30308
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/02/StewartCopeland-CW-09JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260609T203000
DTEND;TZID=America/New_York:20260609T203000
DTSTAMP:20260604T141314
CREATED:20260117T222429Z
LAST-MODIFIED:20260117T222429Z
UID:18135-1781037000-1781037000@atlantaconcertreviews.com
SUMMARY:Kelsy Karter & The Heroines
DESCRIPTION:Hailing from the vibrant confluence of British grit and Australian charm\, Kelsy Karter & The Heroines have stormed the global music scene with an electrifying blend of rebellious rock ’n’roll and unbridled creativity. Formed five years ago\, this dynamic four-piece is spearheaded by the unapologetic Kelsy Karter\, whose fiery persona and theatrical roots set the stage for the band’s thrilling rise in modern rock. \nKelsy Karter\, an Australian theatre kid turned rock frontwoman\, leads the charge with a blend of potty- mouthed charm and heartfelt sincerity. Known for her audacious approach to self-promotion\, Kelsy has become a media sensation for her innovative and often outrageous marketing stunts. TIME magazine once drew comparisons between her and rock icons like Ozzy Osbourne and Alice Cooper. Her fearless attitude toward online hate and her advocacy for self-expression and anti-bullying have made her a powerful and influential voice both on and off the stage. \nThe band’s core is completed by the inseparable English trio of lead guitarist Matt Peach\, drummer Sebastian Boyse\, and bassist Tommy Gent. Hailing from Derby\, England\, these three have been friends since childhood and share an undeniable chemistry that fuels their explosive performances. Their combined talents create a rich\, guitar-drenched sound steeped in glam rock\, soul and ’80s punk\, offering a musical experience that is both timeless and contemporary.
URL:https://atlantaconcertreviews.com/event/kelsy-karter-the-heroines/
LOCATION:Vinyl\, 1374 West Peachtree St\, Atlanta\, GA\, 30309
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/01/KelseyKarter-Vinyl-09JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260611T193000
DTEND;TZID=America/New_York:20260611T193000
DTSTAMP:20260604T141314
CREATED:20260426T031204Z
LAST-MODIFIED:20260426T031204Z
UID:19568-1781206200-1781206200@atlantaconcertreviews.com
SUMMARY:Patrick Wolf: Tour of the Beast
DESCRIPTION:Patrick Wolf released his first E.P. at the age of 19\, a groundbreaking debut of classical\, folk\, and electronic music that set the pace for a stellar decade\, releasing seven self-produced and solely written albums and performing multiple laps around the globe on tour\, amassing an ever-growing and dedicated\, spellbound audience.\nA viola\, piano\, dulcimer\, harp\, lyre\, and tenor guitar player\, Patrick’s decade of critically acclaimed work\, touring\, joining Patti Smith’s band\, collaborations with Florence Welch\, Marianne Faithful\, Angelo Badalamenti\, and rapid\, stellar ascent led to a sudden retreat from the industry where a decade of personal trial ended with a renaissance and reconnection with his work and vocation\, documented in a feature film biopic documentary slated for release at the end of this year\, executive produced by Tilda Swinton. Last year\, he released his seventh album “Crying the Neck”\, an end-of-summer folkloric odyssey set in the landscape at the end of the East of England where Wolf lives and works. The album’s success brought him back to his North American audiences; for his first tour in over 13 years\, he embarked on a ten-week tour driving himself from east to west coast\, where he discovered not only his fanbase had been waiting all that time\, but a brand new one had grown in his absence in the States. The success of last year’s tour brings Patrick back to North America this year with “The Tour of the Beast”\, this time an extensive East to West coast and back again routing with a coinciding 7” single and release campaign\, launching two new songs to the States and ringing in the next era of Patrick Wolf. The first\, a bombastic harpsichord banger and outsider anthem “The Beast”\, partly inspired by conversations had in the meet-and-greets of last year’s tour and a hymn of solace\, initially written as a response to Camus’s “The Myth of Sisyphus”\, a lyre and vocal lullaby called “The Laughing Dove”. \nThe Guardian – “The Goth Folk Pioneer\, A true one off”  \nNew York Times – “One of Britains most appealing singer songwriters” \nLady Gaga – “Fantastic\, Amazing\, I listen to him\, I meditate”  \nRolling Stone – “There’s nothing not awesome about him” \nNME – “Britains foremost pop pioneer” \nTilda Swinton – “My feeling is that we certainly come from the same planet: kith and kin. His music sounds like the great unexpressed soundtrack of a great film I want to see – and try to catch every night before I go to sleep..”
URL:https://atlantaconcertreviews.com/event/patrick-wolf-tour-of-the-beast/
LOCATION:Smith’s Olde Bar\, 1578 Piedmont Ave NE\, Atlanta\, GA\, 30324
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/04/PatrickWolf-SOB-11JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260611T200000
DTEND;TZID=America/New_York:20260611T200000
DTSTAMP:20260604T141314
CREATED:20251124T041632Z
LAST-MODIFIED:20251124T041632Z
UID:17762-1781208000-1781208000@atlantaconcertreviews.com
SUMMARY:Lettuce
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/lettuce/
LOCATION:Atlanta Symphony Hall\, 1280 Peachtree St.\, Atlanta\, GA\, 30309
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2025/11/Lettuce-ASH-11JUL2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260612T200000
DTEND;TZID=America/New_York:20260612T200000
DTSTAMP:20260604T141314
CREATED:20260117T220309Z
LAST-MODIFIED:20260117T220309Z
UID:18125-1781294400-1781294400@atlantaconcertreviews.com
SUMMARY:Audrey Hobert: The Staircase to Stardom Tour
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/audrey-hobert-the-staircase-to-stardom-tour/
LOCATION:Tabernacle\, 152 Luckie Street\, Atlanta\, GA\, 30303
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/01/AubreyHobert-TAB-12JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260612T200000
DTEND;TZID=America/New_York:20260612T200000
DTSTAMP:20260604T141314
CREATED:20260215T190628Z
LAST-MODIFIED:20260215T190628Z
UID:18462-1781294400-1781294400@atlantaconcertreviews.com
SUMMARY:Holly Humberstone - Cruel World
DESCRIPTION:“Now I’m pulling out of your driveway/finally I’m living\, not surviving\,” Holly Humberstone’s rich voice cuts through horizon-breaking guitar lines\, “…with the windows down I am reborn.” This title track is a glorious affirmation for the young artist and a reset\, opening Paint My Bedroom Black – her pulsing debut album. \nThe record builds on the 23-year-old’s kinetic storytelling touch\, which first came to light on 2020’s celebrated EP Falling Asleep At The Wheel and her second\, 2021’s The Walls Are Way Too Thin. Now\, Holly’s power for capturing and characterising our most tumultuous moments – as the bad friend trying to make good\, a lost soul propelled through post breakup mania\, the buzzkill\, the one afraid of coming on too strong – is made more lucid. “Give me hell\, ‘cause heaven knows I deserve it\,” she sings on ‘Antichrist’\, an exposing image of her last break-up\, a heartbreak ballad set against propulsive pop: “Am I the Antichrist? How do I sleep at night?” It’s one half of a double lead single alongside the gentle\, romantic ‘Room Service’: two starkly different tracks that act as a revolving door into visceral new worlds for the Lincolnshire-born musician. \n“Now I’m pulling out of your driveway/finally I’m living\, not surviving\,” Holly Humberstone’s rich voice cuts through horizon-breaking guitar lines\, “…with the windows down I am reborn.” This title track is a glorious affirmation for the young artist and a reset\, opening Paint My Bedroom Black – her pulsing debut album. \nThe record builds on the 23-year-old’s kinetic storytelling touch\, which first came to light on 2020’s celebrated EP Falling Asleep At The Wheel and her second\, 2021’s The Walls Are Way Too Thin. Now\, Holly’s power for capturing and characterising our most tumultuous moments – as the bad friend trying to make good\, a lost soul propelled through post breakup mania\, the buzzkill\, the one afraid of coming on too strong – is made more lucid. “Give me hell\, ‘cause heaven knows I deserve it\,” she sings on ‘Antichrist’\, an exposing image of her last break-up\, a heartbreak ballad set against propulsive pop: “Am I the Antichrist? How do I sleep at night?” It’s one half of a double lead single alongside the gentle\, romantic ‘Room Service’: two starkly different tracks that act as a revolving door into visceral new worlds for the Lincolnshire-born musician. \n“Now I’m pulling out of your driveway/finally I’m living\, not surviving\,” Holly Humberstone’s rich voice cuts through horizon-breaking guitar lines\, “…with the windows down I am reborn.” This title track is a glorious affirmation for the young artist and a reset\, opening Paint My Bedroom Black – her pulsing debut album. \nThe record builds on the 23-year-old’s kinetic storytelling touch\, which first came to light on 2020’s celebrated EP Falling Asleep At The Wheel and her second\, 2021’s The Walls Are Way Too Thin. Now\, Holly’s power for capturing and characterising our most tumultuous moments – as the bad friend trying to make good\, a lost soul propelled through post breakup mania\, the buzzkill\, the one afraid of coming on too strong – is made more lucid. “Give me hell\, ‘cause heaven knows I deserve it\,” she sings on ‘Antichrist’\, an exposing image of her last break-up\, a heartbreak ballad set against propulsive pop: “Am I the Antichrist? How do I sleep at night?” It’s one half of a double lead single alongside the gentle\, romantic ‘Room Service’: two starkly different tracks that act as a revolving door into visceral new worlds for the Lincolnshire-born musician. \nIn 13 tracks\, Holly sketches fragmented love notes to faraway friends and her boyfriend. On ‘Lauren’\, she distils the anxieties of thousands of unread texts and the guilt of missing friends’ life moments: “I put my fist through the wall\, because I’ve been falling too short”. It’s pure and personal\, cathartic and connective. ‘Kissing in Swimming Pools’ is aching\, cinematic writing\, set to Mazzy Star-esque soundscapes. Throughout\, Holly’s offbeat humour remains: like a clip of her friend dryly invoking a classic Spongebob Squarepants meme to describe their tired mental state. ‘Cocoon’ is particularly poignant; at one stage\, the album was going to named after the lyric ‘I’m just going through something‘. “It holds that diary entry level of vulnerability I feel I’ve only gone deeper with\,” she explains. \n Paint My Bedroom Black is a vital focal image. “It’s a way of finding clarity\,” Holly says\, “shutting out the world and ridding it of colour gave me a clear vision. Writing music helps me find my way out of the fuzziness in my head. I feel more cleansed.” Track titles like ‘SUPERBLOODMOON’ were lifted from collected thoughts in iPhone notes. \nThe last few years have been as lonely as they have been liberating. Sometimes writing sessions with other artists in the US didn’t quite work; yet Holly found songwriting solace in pockets of time in New York and LA. “I took ages to write it because I wanted to love them all\,” she says. Longtime collaborator Rob Milton flew over and they hit up Ethan Gruska (producer for Phoebe Bridgers and Fiona Apple). From his small studio outside of LA\, they experimented with pawn shop-bought instruments and synths\, and wrote single ‘Into Your Room’ in one day. It captures Holly’s guilt from not being present in her new relationship\, a track that about-turns from ballad to dappled dream pop\, and reflects the album’s expansive sonic moments that sound like hurtling down a West Coast Highway: “You’re the centre of this universe/my sorry ass revolves around you”. Other tracks were formed in her more familiar Walthamstow studio. \nIn 13 tracks\, Holly sketches fragmented love notes to faraway friends and her boyfriend. On ‘Lauren’\, she distils the anxieties of thousands of unread texts and the guilt of missing friends’ life moments: “I put my fist through the wall\, because I’ve been falling too short”. It’s pure and personal\, cathartic and connective. ‘Kissing in Swimming Pools’ is aching\, cinematic writing\, set to Mazzy Star-esque soundscapes. Throughout\, Holly’s offbeat humour remains: like a clip of her friend dryly invoking a classic Spongebob Squarepants meme to describe their tired mental state. ‘Cocoon’ is particularly poignant; at one stage\, the album was going to named after the lyric ‘I’m just going through something‘. “It holds that diary entry level of vulnerability I feel I’ve only gone deeper with\,” she explains. \n Paint My Bedroom Black is a vital focal image. “It’s a way of finding clarity\,” Holly says\, “shutting out the world and ridding it of colour gave me a clear vision. Writing music helps me find my way out of the fuzziness in my head. I feel more cleansed.” Track titles like ‘SUPERBLOODMOON’ were lifted from collected thoughts in iPhone notes. \nThe last few years have been as lonely as they have been liberating. Sometimes writing sessions with other artists in the US didn’t quite work; yet Holly found songwriting solace in pockets of time in New York and LA. “I took ages to write it because I wanted to love them all\,” she says. Longtime collaborator Rob Milton flew over and they hit up Ethan Gruska (producer for Phoebe Bridgers and Fiona Apple). From his small studio outside of LA\, they experimented with pawn shop-bought instruments and synths\, and wrote single ‘Into Your Room’ in one day. It captures Holly’s guilt from not being present in her new relationship\, a track that about-turns from ballad to dappled dream pop\, and reflects the album’s expansive sonic moments that sound like hurtling down a West Coast Highway: “You’re the centre of this universe/my sorry ass revolves around you”. Other tracks were formed in her more familiar Walthamstow studio. \n“– and\, I know I’ll finally get my own tattoo lyric from this album to show them.”
URL:https://atlantaconcertreviews.com/event/holly-humberstone-cruel-world/
LOCATION:Variety Playhouse\, 1099 Euclid Avenue NE\, Atlanta\, GA\, 30307\, United States
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/02/hollyhumberstone-VP-12JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260613T200000
DTEND;TZID=America/New_York:20260613T200000
DTSTAMP:20260604T141314
CREATED:20251107T020113Z
LAST-MODIFIED:20251107T020113Z
UID:17525-1781380800-1781380800@atlantaconcertreviews.com
SUMMARY:The Last Dinner Party
DESCRIPTION:From serenading the dimly-lit corners of East London pubs to Courting interest from several major record labels\, agents\, promoters & publishers in a few short months\, The Dinner Party have burst forth gloriously into the guitar music renaissance.\n\nConceived during a wine-stained evening in Brixton\, the name embodies a musical and aesthetic ethos of decadence\, mystery\, spectacle and charm. Finding artistry in the intersection between the beautiful\, sublime and grotesque\, the band are guided by their favourite Romantic poets and Gothic novelists.\n\nThe preceding years of isolation and anxiety have only served to heighten The Dinner Party’s creative appeal as they usher in a new era of unashamed maximalism and untethered euphoria. They cast their net of inspiration across artists and genres\, from Kate Bush and David Bowie\, glam rock and new wave\, to unexpected moments of twelve bar blues\, classical overture and heavy synth breakdowns.\n\nSinger Abigail\, guitarists Emily and Lizzie\, keyboardist Aurora and bassist Georgia weave a fantasy of haunting melodies\, explosive choruses\, and lyrics that embrace tragedy and triumph in equal measure. At their shows\, the band lead audiences through the soaring crescendos and pin-drop silences of the most debaucherous dinner parties\, gathering a dedicated and growing company of attendees with every performance.\n\nThe band are currently based in London writing\, recording\, and preparing for their next spectacle.\n\nYou are cordially invited.\n\nThe Dinner Party
URL:https://atlantaconcertreviews.com/event/the-last-dinner-party/
LOCATION:The Eastern\, 777 Memorial Dr SE\, Atlanta\, GA
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2025/11/lastdinnerparty-EAST-13JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260613T200000
DTEND;TZID=America/New_York:20260613T200000
DTSTAMP:20260604T141314
CREATED:20251124T033017Z
LAST-MODIFIED:20251124T033017Z
UID:17734-1781380800-1781380800@atlantaconcertreviews.com
SUMMARY:Wolfmother - 20th Anniversary Tour
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/wolfmother-20th-anniversary-tour/
LOCATION:Buckhead Theatre\, 3110 Roswell Rd NE\, Atlanta\, GA\, 30305
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2025/11/wolfmother-BT-13JUne2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260614T190000
DTEND;TZID=America/New_York:20260614T190000
DTSTAMP:20260604T141314
CREATED:20260104T215930Z
LAST-MODIFIED:20260104T215930Z
UID:18013-1781463600-1781463600@atlantaconcertreviews.com
SUMMARY:Evanescence 2026 World Tour
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/evanescence-2026-world-tour/
LOCATION:Ameris Bank Amphitheatre\, 2200 Encore Parkway\, Alpharetta\, GA\, 30009
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/01/evanescence-Ameris-14JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260614T200000
DTEND;TZID=America/New_York:20260614T200000
DTSTAMP:20260604T141314
CREATED:20260215T190931Z
LAST-MODIFIED:20260215T190931Z
UID:18464-1781467200-1781467200@atlantaconcertreviews.com
SUMMARY:Kevin Morby
DESCRIPTION:You want to shine for friends when they’re shining—for you or maybe not for you\, either way shine is shine—and you can equalize the levels by bringing a bit of your own recent glow\, and that other light-filled person can enjoy it instead of worry. \nThat’s how it is with some people. Two auras\, touching\, as you each bring your way of worlding into the bar or the diner or the movies\, the car\, like so. See Morby\, Kevin\, in the Encyclopedia Britannica of Glow \, or Who’s Who in America and Outside of It That Moves Me \, published by No One Ever\, but indelibly print-on-demand. \nLast time I saw Morby there was a gash on the driver’s side rear quarter-panel of his big blue truck. “What’s up with that?” A happy shrug. “Looks like I use it.” He does use it. I was in the cab practically yesterday in Kansas City and now we’re West. He parks on my street. We go down a secret stairwell and along a brutal stretch of Sunset. “This will never gentrify\,” I say\, “because the cars here go seventy.” “It already is\,” he replies\, as we pass a natural wine shop or whatever they’re selling\, spare shelves and a tote bag logo. But it’s mostly nuclear fall-out\, the underside of a rich city\, trash and weeds and plundered copper\, before we turn left up to what I call Peacock Park. Kevin’s never been. It’s dusk. We sit like kings\, like Mickey in the Night Kitchen\, perched over the storybook up-close downtown skyline. I’m ready to practically camp out when Kevin says\, Let’s go. Next is Astro Family. Him\, a burger and fries. Me\, omelet. Pacifico; Stella. Kevin poses with the Heinz bottle\, and we agree that “I like ketchup on my ketchup” is a T-shirt in the category of Pop sublime. “Haruki Murakami wears one\,” he says. (I can hear a baby crying on this part of the tape. Next over orange vinyl booth. I like ketchup on my ketchup. I like babies in the booths.) \nOur beers come in chilled steins. “I’d be into having a fridge full of these\,” Kevin says. But he does not strike me as someone who lives for beer\, and he seems to be leaving behind the midwestern concept of the den\, the wet bar\, the basement pool table\, Miller Lite pendant lamp. Or maybe not. But he’s leaving Kansas\, is the point\, and this record is about it. Before our hangout I googled “little wide open” to see if there’s something besides my sense of this phrase\, which is that if once the future was legible\, it’s now a bit less predictable. It’s a little wide open. But to some this phrase means lit\, as in drunk. News to Kevin. For him\, the LWO is the big sky\, the small lives—it’s his origins in the Midwest and every duty and modesty and familiarity and isolation: the land\, the people\, and the parts of that inside him. “I love the little wide open\,” he tells me\, “and I hate the little wide open.” Cities of a hundred thousand people. Places where girls twirl batons. Hearing those lines\, “pretty girls\, pretty sisters\, twirling batons\, blowing penny whistles\,” I think immediately—as would you—about the story of Terrance Malick asking Sissy Spacek if she had any special talents. Baton\, she said\, and twirled one in the movie. But Kevin’s song Badlands isn’t exactly about the Malick. “Kansas City is not the badlands but it’s my badlands. It’s not the bible belt but it’s my bible belt.” The song “Bible Belt” alludes to something that happened in 2021\, when Kevin was on tour and got word that a couple\, a boy and a girl who were on their way to see him play in Denver had a car wreck and the boy died. The girl lived\, and while she was in the hospital\, Kevin sent her a message. A year later he played at the Bataclan\, in Paris\, which naturally made him think of what had happened there\, ninety shot dead in a terrorist attack. Onstage\, he looked down\, and there was the girl who had survived the car wreck in Denver. She was with the mother of her boyfriend who died. They had come all this way to see Kevin play. He recognized them immediately. “Do you have priestly instincts to rise to the moment and be what people need?” “Sure. But everyone goes into a show with a preconceived idea of how it’s gonna go. Whether it’s\, I want to drink beer and rock out. Or …. That . It broke the ice for me. The Bataclan felt like hallowed ground. It was very very sweet to see them.” We shift to talking about time. The record isn’t just about leaving. It isn’t just about Katie (there are more love songs here than usual\, I tell him\, and he concurs). It’s about time\, about feeling like he has shifted from nostalgia\, and the losing game—losing but beautiful—of holding onto the past. He has accepted that time is ceaselessly flowing\, and you can’t stop it. Instead\, he feels like he’s riding it. He’s riding passenger with time. They’re doing it together\, shooting forward in tandem\, Bonnie and Clyde. I ask him about that line\, “I’ll ride passenger in a burlap sack\,” it’s more than at peace\, and passive. It’s\, I’ll risk everything\, and could end up dead. That’s what I hear. I started rambling about a memoir I just read by a musician I once knew\, a guitar player who was in the band Tuxedomoon. Every story in his book was about how fate intervened. Fate did this fate did that. He was riding passenger to the extreme. It was all excuses. It was sad. In Kevin’s case\, he conjures death but it feels more fictional\, speculative\, it’s reality\, but he has no death wish that I can sense. \nOur food arrives. \n“A side of ranch dressing with the fries\, without even asking? This is very midwestern.” He can access the comforts of his origins without living there any longer. Without the isolation\, the big sky\, the small lives. You can sing about the ugly brothers with the muscle cars in the front yard but that doesn’t mean you have to stay. In the song they are characters\, and listening to\, as he imagines it\, Metallica. “In reality\, it’s probably trip-hop\,” he says. But Kevin is burnishing his lyric-fictions to something more timeless and poetic\, than now and tomorrow. I assure him there are ugly brothers out here\, too\, with muscles cars in the yard. I know them. And he’s like\, Yeah\, Rach\, you would. \nAfter dinner I want another beer and Kevin says let’s have it elsewhere\, someplace dark. That’s when I see something about him that I never have before: he’s restless! I like that I can see it\, because I would not have guessed. We walk under the freeway to Zebulon. It’s closed. On its locked door is a flyer for a show next week by a former member of Tuxedomoon. “Weird!” we say in unison\, checking the box that we are following destiny’s map\, the one that is presented to the human mind as “chance.” \nWe go to the Red Lion\, with its quiet local Oktoberfest vibe. I ask Kevin what sign he is. I know nothing about astrology\, and so any answer is good. “Aries\,” he says\, “the most fire of the fire signs. The most intense. The type who leaps before they look.” Is that you\, I wonder. And he nods. “Most definitely.” I tell him I kind of see him leaping and looking. “Yeah\, maybe. But remember\, I dropped out of high school. Moved to NYC. Joined a band. Then started a band.” I come back to little wide open. The song by that name. “Sometimes the myth grows bigger than the dream” I read out loud from a lyrics sheet. “It’s about the two of us being songwriters. The pros and cons. The complications. A crazy lifestyle of us each crisscrossing the world.” \nCould it be\, I ask him\, that he and Katie created something together that partly takes place in the Midwest\, Kevin’s “little wide open\,” but his dissatisfaction with that place isn’t a dissatisfaction with her\, or her with him\, and instead\, maybe they are lifting off\, together? “One thousand percent\,” he replies. Since moving to LA\, he’s been so happy. I remind him that I’d accidentally left a “Los Angeles” sweatshirt at their house in Kansas City and was hoping Katie would find it and wear it. “It’s in the valley of the lost\,” Kevin says. The way he says it\, it’s like even losing things is wholesome to this dude. They go to the happy valley of the lost. \nMorby\, those golden-brown curls\, the jacket with fringe\, different versions\, like a paper doll whose variations\, gold or white or American flag\, only reconfirm a consistent core\, editions of one. Heartlander but no\, not a rube. The broad\, open face\, and yes he throws flowers to his public but he’s marked by death like you and me. The way of standing\, feet a little out\, what anatomy declares a slight external rotation . I could recognize Kevin’s gait on grainy security footage\, I mean if I needed to. If they asked\, and if it mattered. A flood of people walking past CCTV? Border control\, 7-11\, truck stop\, or even Joe Paranoid’s Ring camera? I could ID him no problem. \nIf I needed to guess what his music would contour toward\, or away from\, that would be harder. He thinks in the unit of the album\, album-sized steps into the future\, each one a concept that ripples through\, song by song\, to the end. \n“Field Guide for the Butterflies says everything this record’s about\,” he tells me. “It’s all in there. I was on this drive through Arkansas by myself. I noticed that butterflies kept hitting my truck\, as they were trying to cross the highway. I went to Dickson Street Books in Fayetteville\, and looked at this book\, Field Guide to the North American Butterfly . It was this moment where I was like\, what does it mean that there are butterflies crossing the highway\, what do they mean as a symbol? The people who died going to my show\, it means that. It means me and Katie meeting on the road and touring together and falling in love. It’s like\, we’re floating around. Flying over the highway like we are not butterflies. Like we are not fragile.” \nBut they are. We are.
URL:https://atlantaconcertreviews.com/event/kevin-morby/
LOCATION:Variety Playhouse\, 1099 Euclid Avenue NE\, Atlanta\, GA\, 30307\, United States
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/02/kevinmorby-VP-14JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260616T193000
DTEND;TZID=America/New_York:20260616T193000
DTSTAMP:20260604T141314
CREATED:20260304T034959Z
LAST-MODIFIED:20260304T034959Z
UID:18690-1781638200-1781638200@atlantaconcertreviews.com
SUMMARY:Cowboy Junkies
DESCRIPTION:“One of the most unique and enduring bands in alternative rock”\nAll Music \n“Margo Timmins’s voice is as melancholy and enchanting as ever”\nThe New York Times \n“There’s something that is nearly miraculous about the way Margo Timmins’ beautiful voice fits with those pained lyrics written by her brother Michael Timmins…the result is some truly transformative music.”\nThe Mercury News \nCowboy Junkies will be performing a career-spanning show from The Trinity Session to their recent album\, Such Ferocious Beauty! \nAbout Cowboy Junkies\nSometimes revolutions begin quietly. \nIn 1988\, Cowboy Junkies proved that there was an audience waiting for something quiet\, beautiful and reflective. The Trinity Session was like a whisper that cut through the noise — and it was compelling. It stood out in the midst of the flash and bombast that came to define the late 80’s. The now classic recording combined folk\, blues and rock in a way that had never been heard before and went on to sell more than a million copies. \nFormed in Toronto in 1985 with siblings Michael Timmins on guitar\, Margo Timmins on vocals\, Peter Timmins on drums\, and Michael’s lifelong friend Alan Anton on bass\, the band has sparkled over the course of 29 albums. “I’ve known Alan longer than I’ve known Pete\,” says Michael. “We were friends before Pete was born.” \nUnlike most long-lasting groups\, Cowboy Junkies have never had a break up or taken a sanity-saving hiatus. There’s an appreciation of each other that keeps them constantly working. “It’s that intimacy and understanding of what each one of us brings to the table\,” says Michael.
URL:https://atlantaconcertreviews.com/event/cowboy-junkies/
LOCATION:Variety Playhouse\, 1099 Euclid Avenue NE\, Atlanta\, GA\, 30307\, United States
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/03/CowboyJunkies-VP-16JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260617T183000
DTEND;TZID=America/New_York:20260617T183000
DTSTAMP:20260604T141314
CREATED:20260317T015823Z
LAST-MODIFIED:20260317T015823Z
UID:18912-1781721000-1781721000@atlantaconcertreviews.com
SUMMARY:Killswitch Engage
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/killswitch-engage/
LOCATION:Tabernacle\, 152 Luckie Street\, Atlanta\, GA\, 30303
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/03/KillswitchEngage-TAB-17JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260617T200000
DTEND;TZID=America/New_York:20260617T200000
DTSTAMP:20260604T141314
CREATED:20260304T033459Z
LAST-MODIFIED:20260304T033459Z
UID:18680-1781726400-1781726400@atlantaconcertreviews.com
SUMMARY:Roger Clyne & The Peacemakers
DESCRIPTION:“Here’s to life!” Fans around the world can be found singing the chorus of the Roger Clyne-penned fan favorite “Mekong” and toasting their glasses in unison to celebrate life through rock-n-roll. But the inspiration for the song dates back to the time Roger went to Taipei\, Taiwan\, as a college student to teach English during the day and busk with his guitar at night for money. \nToday\, as Clyne prepares to record his 11th studio album\, he continues to transform his life experiences\, inspirations\, observations and his own muses into timeless music. And whether he’s wearing his Converse high tops\, boots or sandals\, Clyne’s blend of punk rock\, country-western and mariachi influences have made him\, drummer PH Naffah\, guitarist Jim Dalton and bassist Nick Scropos – collectively known as Roger Clyne & The Peacemakers – one of America’s best live rock-n-roll bands. \nStarting with the seminal Tempe quartet\, The Refreshments\, Clyne and Naffah put the fun in rock during the 90s grunge era with a sense of humor. They also started what would become a trademark sound on all future albums by adding mariachi horns\, something Clyne was influenced by while in college studying Cultural Anthropology with an ethnography study of mariachis during a three month immersion stay with a local family in Ensenada\, Mexico. \nThe Refreshments’ debut album\, “Fizzy\, Fuzzy\, Big & Buzzy\,” became a cult classic. It produced the alternative radio hit “Banditos” which also had significant airplay on MTV and earned The Freshies an appearance on The Conan O’Brien Show. Clyne then penned and performed the theme song for the Mike Judge animated TV series\, King of Hill. In 2017\, Here’s to Life: The story of The Refreshments\, was released. The feature-length documentary was a hit with fans and critics alike.\nChanges within their record label and internal band issues resulted in Clyne and Naffah going on a vision quest of sorts in the Whetstone Mountains near the Clyne Ranch in Southeastern Arizona. It was there that Clyne found inspiration in the rolling hills and the jukeboxes of small town taverns that still played Marty Robbins and Johnny Cash – music he had shed from his youth in favor of bands like Camper Van Beethoven & They Might Be Giants. But after reconnecting with those old country records\, Clyne and Naffah wrote and recorded under a new moniker what would become Roger Clyne & The Peacemakers’ debut album\, “Honky Tonk Union.” \nThe album was the perfect combination of classic rock and twang\, and fans immediately connected with it. Their independent release\, “Honky Tonk Union\,” debuted at No. 1 on Billboard’s internet sales chart in 1999 prompting a call from a Billboard exec to their Manager demanding\, “ Who the hell is Roger Clyne and why is he #1 on my chart?!” beating out much better known artists \nRCPM released eight more albums that landed in the top ten of Billboard’s Internet Sales Chart\, including a No. 1 debut for their third album\, “Americano!” – all without the backing of a major record label and while flying under the radar of commercial radio. \nIn 2019\, Roger Clyne & The Peacemakers were inducted into the Arizona Music and Entertainment Hall of Fame\, joining the likes of fellow Arizona legends Alice Cooper\, Buck Owens\, Glen Campbell\, Stevie Nicks\, Linda Ronstadt and Waylon Jennings. \nLater that fall\, RCPM was invited by a man who\, like Roger\, also knows a little something about tequila and throwing big parties in Mexico. The band headlined Sammy Hagar’s Cabo Wabo Cantina on the eve of Hagar’s weekend birthday celebration. \nRoger Clyne & The Peacemakers have curated their own annual music festival\, Circus Mexicus\, in the sleepy beach town of Puerto Peñasco\, Mexico\, which draws thousands of fans from around the world. The festival not only has a major impact on the local economy\, but charity events hosted by the band and fans alike help raise money for a local orphanage\, support local youth sports and help feed shelter animals. \nClyne not only sings about life in the border-lands\, he also produces his own ultra-premium spirit\, Mexican Moonshine Tequila (soon to be re-named Canción Tequila). Owned by the entire band\, it was the official tequila at the Arizona Diamondbacks Chase stadium in 2016\, 2017 and 2018. Started in 2011\, the award-winning spirit is distributed in multiple states as well as Sonora\, Mexico. \nRoger Clyne & The Peacemakers have toured all over the US and achieved a faithful following through hard work and great music. They have done this all while being independent\, without the safety net of a label or a label’s radio promotion department. Dubbed “The Springsteen of the Southwest\,” by the Asbury Park Press. The band delivers exciting live performances that garner declarations like the one from emcee Jay Peterman of the Seinfeld TV show at Alice Cooper’s annual Christmas Pudding event\, “Young man\, you light that stage a-flame!”
URL:https://atlantaconcertreviews.com/event/roger-clyne-the-peacemakers/
LOCATION:Terminal West\, 887 West Maritetta St. NW\, Atlanta\, GA\, 30318\, United States
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/03/RogeryClyne-TW-17JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260619T200000
DTEND;TZID=America/New_York:20260619T200000
DTSTAMP:20260604T141314
CREATED:20260317T021429Z
LAST-MODIFIED:20260317T021429Z
UID:18926-1781899200-1781899200@atlantaconcertreviews.com
SUMMARY:The Human League: Generations US Tour 2026 with Soft Cell and Alison Moyet
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/the-human-league-generations-us-tour-2026-with-soft-cell-and-alison-moyet/
LOCATION:Fox Theatre\, 660 Peachtree Street NE\, Atlanta\, GA\, 30308
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/03/HumanLeague-FOX-19JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260620T190000
DTEND;TZID=America/New_York:20260620T190000
DTSTAMP:20260604T141314
CREATED:20260124T233626Z
LAST-MODIFIED:20260124T233626Z
UID:18185-1781982000-1781982000@atlantaconcertreviews.com
SUMMARY:Claypool Gold: Primus\, Claypool Lennon Delirium\, The Frog Brigade
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/claypool-gold-primus-claypool-lennon-delirium-the-frog-brigade-2/
LOCATION:Synovus Bank Amphitheatre at Chastain Park\, 4469 Stella Drive\, Atlanta\, GA\, 30327
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/01/ClaypoolPool-CHAS-20JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260621T193000
DTEND;TZID=America/New_York:20260621T193000
DTSTAMP:20260604T141314
CREATED:20260426T032820Z
LAST-MODIFIED:20260517T211705Z
UID:19581-1782070200-1782070200@atlantaconcertreviews.com
SUMMARY:The Cab
DESCRIPTION:The Cab is an American pop-rock band from Las Vegas\, Nevada\, known for their emotionally rich songwriting\, genre-blending sound\, and sharp musicality. Since their formation in 2005\, the band has carved out a lasting place in the alternative music scene—fusing sleek pop production with rock instrumentation\, R&B influences\, and lyrical depth. \nOriginally discovered by Panic and the Disco and Fall Out Boy\, The Cab gained early momentum with their breakout debut album\, Whisper War (2008) released through Fueled by Ramen. Achieving a #1 charting position on the Billboard Heatseekers Album Chart\, Whisper War featured fan-favorite singles “Bounce\,” “I’ll Run\,” and “One of THOSE Nights.” \nIn 2011\, the band made a bold creative leap with Symphony Soldier—an independently released\, self-funded album that elevated their sound to cinematic levels. With songs like “Angel with a Shotgun” and “Endlessly\,” the record showcased The Cab’s ambition and artistic independence\, solidifying their place among the most emotionally resonant bands of their era. \n“Angel With a Shotgun” established itself as a fan favorite off the record\, surpassing 260M+ streams and quickly becoming the band’s most-streamed song. Despite being released in 2011\, well before the days of TikTok\, the song has had incredible success on shortform platforms\, reaching 400M+ views across 300K+ TikTok creates to date. The song’s impact on shortform platforms broke into fan subcultures\, where it emerged as the de facto theme song for Nightcore\, resulting in 260M+ views specifically across Nightcore UGC videos. \n“Angel With a Shotgun” remains a timeless hit\, recently resurging on TikTok where – in the last month alone – it shot up with 16K+ creates delivering over 43M+ views across the sound. More than a decade after its release\, the song’s continued relevance reinforces The Cab’s reputation in the pop-punk community and beyond. \nAfter an extended hiatus\, in 2025 The Cab have officially returned announcing their first new music in over a decade as well as live touring dates. \nDiving deeper into themes of growth\, reinvention\, and emotional clarity\, filtered through the lens of lived experience and creative maturity\, their new music offers listeners the same relatable themes & cinematic energy that originally made them fans of The Cab 10+ years ago. \nThe band will celebrate their highly anticipated return with a new EP\, titled Road To Reign: A Prelude\, releasing September 26\, 2025. \nThe band’s current lineup features the return of members Alex DeLeon (vocals)\, Alex Marshall (guitar\, keys)\, Dave Briggs (drums)\, and Joey Thunder (bass). \nThe Cab is embarking on a North American tour with All Time Low in October 2025\, followed by headline shows in December in Singapore and the Philippines. Their live return also features a high-profile performance at the When We Were Young Festival in Las Vegas (October 18–19\, 2025)—a symbolic return to their roots in the city where it all began. \n  \nCARR: \n“An indisputable talent for infusing memorable power-pop guitars and tongue-in-cheek lyrics with brutal honesty” – Ones To Watch \n“CARR has got the nerve and talent to push boundaries and create music that will turn heads” – Indie Shuffle \nCARR didn’t move to LA to pursue a career in music\, but rather fell into it after taking a night  job at a studio to pay the bills. When there was unbooked time in a room\, she and friends would take advantage and mess around with the boards for fun. \nCARR had already begun to make a name for herself before being introduced to punk luminaries Pete Wentz (Fall Out Boy) and Spencer Smith (Panic! At The Disco) who signed her to their label DCD2 Records. CARR was named one of Alt Press’ Artists To Watch who described her music as “exactly the kinds of songs you want to sing/scream along to into your hairbrush-microphone in your bedroom.” Her songs have found a home on KCRW and Jack Saudner’s BBC Radio 1 show\, while Ones To Watch praised her “indisputable talent” and “brutally honest” lyricism. Simultaneously leaving nothing and everything to the imagination. \nNow CARR steps into a new era—still laced with her signature sarcasm and bite\, but pushing further with rawer edges\, unexpected turns\, and lyrics that cut with both raunch and wit.
URL:https://atlantaconcertreviews.com/event/the-cab/
LOCATION:Masquerade – Heaven\, 50 Lower Alabama St\, Atlanta\, GA\, 30303
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/05/thecab-MASQ-21JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260623T193000
DTEND;TZID=America/New_York:20260623T193000
DTSTAMP:20260604T141314
CREATED:20260403T013812Z
LAST-MODIFIED:20260403T013812Z
UID:19057-1782243000-1782243000@atlantaconcertreviews.com
SUMMARY:St. Vincent Live with The Atlanta Symphony Orchestra
DESCRIPTION:St. Vincent announced that her limited run of North American orchestral shows will expand\, including a stop at Atlanta Symphony Hall this June. This one-of-a-kind performance will feature St. Vincent’s greatest hits with orchestral accompaniment with the Atlanta Symphony Orchestra and will be conducted by Jules Buckley. \nFor nearly 20 years\, St. Vincent has been regarded as one of the most innovative and fascinating presences in modern music\, constantly reinventing her audio and visual personae over the course of a kaleidoscopic catalog and winning six Grammy® Awards along the way. This summer\, St. Vincent will venture once more into unexplored territory with a first ever limited run of orchestral performances. \nThese special shows will see a selection of favorites and deep cuts spanning the St. Vincent discography brought to life in spellbinding new dimensions with the aid of Grammy®-winning artist and renowned orchestrator\, arranger\, and conductor Jules Buckley. Together\, St. Vincent and Buckley will enlist established local orchestras to forge new sonic worlds from her acclaimed albums\, including Marry Me\, Actor\, Strange Mercy\, St. Vincent\, MASSEDUCTION\, Daddy’s Home and All Born Screaming — in what promises to be a series of unforgettable evenings of unique symphonic reinterpretations of songs from one of modern music’s most eclectic and acclaimed bodies of work. \nAnnie Clark made her recorded debut as St. Vincent in 2007 with Marry Me\, quickly becoming regarded as one of the most innovative and fascinating presences in modern music. Her subsequent albums would include Actor (2009)\, Strange Mercy (2011)\, her self-titled fourth album and winner of the 2014 Grammy® for Best Alternative Album. In 2017\, her fifth album MASSEDUCTION would break St. Vincent into the U.S. and UK top 10s and win two more Grammy® Awards (Best Rock Song for its title track\, and Best Recording Package). 2021’s Daddy’s Home found St. Vincent channeling the hungover glamor and gritty sepia-toned soundtrack of 1970s downtown NYC to an ecstatic reception\, ultimately winning her a second Best Alternative Album Grammy®. \nFollowing a 2021-2022 global tour that reaffirmed St. Vincent’s status as one of live music’s preeminent forces with headline appearances at the likes of the Hollywood Bowl and Radio City Music Hall\, Clark would begin work on album number seven: Her first fully self-produced album (having co-produced every one of her previous efforts)—and third Best Alternative Album Grammy® winner— All Born Screaming is St. Vincent at her most primal. Featuring Clark leading “a curated group of rippers” through the brawny “Broken Man” (her second Best Rock Song Grammy® winner)\, infectious Best Alternative Performance Grammy®-winning “Flea\,” and mordant catwalk sashay through deafening assault of self-loathing that is “Big Time Nothing\,” All Born Screaming is equal parts spiritual desolation and rapturous acceptance. “If you’re born screaming\, that’s a great sign\,” says Clark\, “because it means you’re breathing. You’re alive. My god. It’s joyous. And then it’s also a protest. We’re all born in protest in a certain way. It’s terrifying to be alive\, it’s ecstatic to be alive. It’s everything.”
URL:https://atlantaconcertreviews.com/event/st-vincent-live-with-the-atlanta-symphony-orchestra/
LOCATION:Atlanta Symphony Hall\, 1280 Peachtree St.\, Atlanta\, GA\, 30309
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/04/StVincent-ASH-23JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260623T200000
DTEND;TZID=America/New_York:20260623T200000
DTSTAMP:20260604T141314
CREATED:20260317T012615Z
LAST-MODIFIED:20260317T012615Z
UID:18889-1782244800-1782244800@atlantaconcertreviews.com
SUMMARY:Rostam
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/rostam/
LOCATION:Terminal West\, 887 West Maritetta St. NW\, Atlanta\, GA\, 30318\, United States
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/03/Rostam-TW-23JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260623T200000
DTEND;TZID=America/New_York:20260623T200000
DTSTAMP:20260604T141314
CREATED:20260403T012918Z
LAST-MODIFIED:20260403T012933Z
UID:19050-1782244800-1782244800@atlantaconcertreviews.com
SUMMARY:Lyle Lovett Up Close: "Songs & Stories"
DESCRIPTION:Lyle Lovett takes the stage at City Winery Atlanta for a special three-night engagement filled with rich storytelling and genre-spanning sound. A Texas-born singer\, composer\, and actor\, Lovett has spent decades expanding the boundaries of American music. \nBlending country\, jazz\, swing\, folk\, gospel\, and blues\, his performances are both captivating and deeply expressive. With four Grammy Awards and honors including the Americana Music Association’s Trailblazer Award\, Lovett’s career is marked by both critical acclaim and enduring audience connection. \nJoin us for an unforgettable night of live music\, wine\, and dining as this iconic artist performs in an intimate setting for a limited three-night run.
URL:https://atlantaconcertreviews.com/event/lyle-lovett-up-close-songs-stories/
LOCATION:City Winery Atlanta\, 650 North Avenue\, Atlanta\, GA\, 30308
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/04/lylelovett-CW-23-25JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260624T200000
DTEND;TZID=America/New_York:20260624T200000
DTSTAMP:20260604T141314
CREATED:20260403T013105Z
LAST-MODIFIED:20260403T013105Z
UID:19053-1782331200-1782331200@atlantaconcertreviews.com
SUMMARY:Lyle Lovett Up Close: "Songs & Stories"
DESCRIPTION:Lyle Lovett takes the stage at City Winery Atlanta for a special three-night engagement filled with rich storytelling and genre-spanning sound. A Texas-born singer\, composer\, and actor\, Lovett has spent decades expanding the boundaries of American music. \nBlending country\, jazz\, swing\, folk\, gospel\, and blues\, his performances are both captivating and deeply expressive. With four Grammy Awards and honors including the Americana Music Association’s Trailblazer Award\, Lovett’s career is marked by both critical acclaim and enduring audience connection. \nJoin us for an unforgettable night of live music\, wine\, and dining as this iconic artist performs in an intimate setting for a limited three-night run.
URL:https://atlantaconcertreviews.com/event/lyle-lovett-up-close-songs-stories-2/
LOCATION:City Winery Atlanta\, 650 North Avenue\, Atlanta\, GA\, 30308
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/04/lylelovett-CW-23-25JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260625T190000
DTEND;TZID=America/New_York:20260625T190000
DTSTAMP:20260604T141314
CREATED:20260304T025317Z
LAST-MODIFIED:20260304T025317Z
UID:18656-1782414000-1782414000@atlantaconcertreviews.com
SUMMARY:Hilary Duff: the lucky me tour
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/hilary-duff-the-lucky-me-tour/
LOCATION:Ameris Bank Amphitheatre\, 2200 Encore Parkway\, Alpharetta\, GA\, 30009
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/03/hilaryduff-Ameris-25JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260625T200000
DTEND;TZID=America/New_York:20260625T200000
DTSTAMP:20260604T141314
CREATED:20260403T013305Z
LAST-MODIFIED:20260403T013305Z
UID:19055-1782417600-1782417600@atlantaconcertreviews.com
SUMMARY:Lyle Lovett Up Close: "Songs & Stories"
DESCRIPTION:Lyle Lovett brings his legendary songwriting and genre blending sound to City Winery Atlanta for a special three night engagement this June. With a career spanning more than fourteen albums\, the Texas based singer\, composer\, and actor has long pushed the boundaries of American music. \nLovett’s music draws from country\, swing\, jazz\, folk\, gospel\, and blues\, all tied together by his unmistakable voice and gift for storytelling. Since his debut release in 1986\, he has earned four Grammy Awards and a reputation as one of the most original artists in popular music. \nAdditional honors include the Americana Music Association’s inaugural Trailblazer Award and recognition as Texas State Musician\, celebrating the lasting influence of his work. \nExperience the depth and charm of a true American original in City Winery Atlanta’s intimate setting. Join us for three nights of extraordinary music\, exceptional wine\, and unforgettable live performance. Reserve your seats now.
URL:https://atlantaconcertreviews.com/event/lyle-lovett-up-close-songs-stories-3/
LOCATION:City Winery Atlanta\, 650 North Avenue\, Atlanta\, GA\, 30308
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/04/lylelovett-CW-23-25JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260626T200000
DTEND;TZID=America/New_York:20260626T200000
DTSTAMP:20260604T141314
CREATED:20251124T034834Z
LAST-MODIFIED:20251124T034834Z
UID:17748-1782504000-1782504000@atlantaconcertreviews.com
SUMMARY:Joe Jackson
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/joe-jackson/
LOCATION:Center Stage Theater\, 1374 West Peachtree St\, Atlanta\, GA\, 30188\, United States
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2025/11/JoeJackson-CS-26JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260626T200000
DTEND;TZID=America/New_York:20260626T200000
DTSTAMP:20260604T141314
CREATED:20260517T184929Z
LAST-MODIFIED:20260517T184929Z
UID:19906-1782504000-1782504000@atlantaconcertreviews.com
SUMMARY:Them in Uniform
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/them-in-uniform/
LOCATION:Terminal West\, 887 West Maritetta St. NW\, Atlanta\, GA\, 30318\, United States
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/05/ThemInUniform-TW-26JUN2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260627T180000
DTEND;TZID=America/New_York:20260627T180000
DTSTAMP:20260604T141314
CREATED:20260304T025713Z
LAST-MODIFIED:20260304T025713Z
UID:18658-1782583200-1782583200@atlantaconcertreviews.com
SUMMARY:idobi Radio Summer School w/ Honey Revenge
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/idobi-radio-summer-school-w-honey-revenge/
LOCATION:Buckhead Theatre\, 3110 Roswell Rd NE\, Atlanta\, GA\, 30305
ATTACH;FMTTYPE=image/png:https://atlantaconcertreviews.com/wp-content/uploads/2026/03/IdobiRadioSummerschool-BT-27JUN2026.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260627T183000
DTEND;TZID=America/New_York:20260627T183000
DTSTAMP:20260604T141314
CREATED:20260317T021616Z
LAST-MODIFIED:20260317T021616Z
UID:18928-1782585000-1782585000@atlantaconcertreviews.com
SUMMARY:Hank Williams Jr.
DESCRIPTION:
URL:https://atlantaconcertreviews.com/event/hank-williams-jr/
LOCATION:Ameris Bank Amphitheatre\, 2200 Encore Parkway\, Alpharetta\, GA\, 30009
ATTACH;FMTTYPE=image/jpeg:https://atlantaconcertreviews.com/wp-content/uploads/2026/03/HankWilliamsJr-Ameris-27JUN2026-1.jpg
END:VEVENT
END:VCALENDAR