
Castle Rat at Masquerade: Even Bigger Realms Await
The Rat Queen and her minions returned to Atlanta Saturday night, bringing their medieval fantasy heavy metal spectacle to a

The Rat Queen and her minions returned to Atlanta Saturday night, bringing their medieval fantasy heavy metal spectacle to a

Sunday at Shaky Knees started with grounds that were in surprisingly good shape. Evidence of the storm remained, but low-lying

Shaky Knees 2026 Saturday started with a cool, morning freshness. By the time the first band took the stage, the

Shaky Knees 2026 opened Friday at Atlanta’s Piedmont Park with The Strokes, Turnstile, Fontaines D.C., Danny Elfman and more kicking

Joshua Bell with the Atlanta Symphony Orchestra was an experience, one that I am very glad to have been a

Seven songs isn’t much of a headliner performance, is it? Consider Elder’s latest album, Through Zero, has six songs and

Tycho, the name chosen by Scott Hansen for his downtempo electronic creations, stopped by The Eastern for their Infinite Health

Vampires, a clown, Beetlejuice, Leo Mazzone, Wednesday, a pirate, a Viking and two frogs. What do these all have in

The Trouble Notes played to an appreciative audience of those “in the know” about this Progressive Folk Rock band, an

Glass Beams is a mystery, intentionally. Let’s start with the name. There’s no clear allusion to a structural support, a

This was The Red Clay Strays’ first of two Atlanta shows, the following night downtown at Tabernacle, both sold out.

If you want to catch them live, “The Over and Out Tour” suggests now is the time with only six

The The returned to touring in 2018 after a 17-year hiatus, and now, six years later, it’s time for fans

Sometimes you wonder how bands form with people coming with differing instruments, influences, tastes and personalities. But they do, fortunately.

Johnny Marr is best known as the legendary guitarist and co-songwriter for The Smiths which he co-founded with Morrissey in

“CREED” reads white on black on the visuals screen, flashing on, then off. It builds in pace until the crowd