Shaky Knees 2026: Friday with The Strokes, Turnstile and more

Shaky Knees 2026 opened Friday at Atlanta’s Piedmont Park with The Strokes, Turnstile, Fontaines D.C., Danny Elfman and more kicking off three days of music.  This year’s the festival began later than previous years at 5PM, and given Atlanta weekday traffic that makes sense. It wasn’t the usual gradual flow of arrivals, however. The crowd poured in when the gates opened at 4PM, despite the temperature 94°F hanging around on into the early evening. 

For future reference, no.  Atlanta is not always this hot in September. But, when it comes to weather, you don’t know what you’re going to get. Similarly, fans also don’t know what they’re going to get at the Merch tent, which quickly found itself with lines 100 people deep.  Quality merch and lots of it featuring almost all the bands plus an abundance of Shaky Knees gear, where they’ve upped their game in offerings.  But, it does make sense to grab what you like without risking it running out of stock, as well as hitting it early before the band start. 

If you’re thinking about 2027 Shaky Knees, you’re more likely to read it here than elsewhere in the posts, so let’s get to it. 

  • Merch. Early as mentioned.
  • I want to see my favorite band! Okay, everyone does, but there are a good number who want to see their favorite band, up on the rail. They arrive early and stay on the rail through the day until (insert artist name) finally takes the stage.  Plan accordingly.  But there is usually plenty of opportunities to skip one time slot of shows and move pretty close to the stage while fest goers are at other stages. However…
  • Water/hydration. Bring a refillable bottle. The water stations are not that crowded and the water is good. Canned water is for sale, as well as a variety of alcoholic beverages, but this year’s heat kept the first aid and paramedics crew busy.  Standing in a crowd of people breaks whatever breeze wants to find its way, and it just makes it hotter. You’ll find staff at each stage handing out pint-sized cartons of water to whoever needs them, but for the big stages, they won’t make it past 10-20 deep in the crowd. Also, the cartons are great when needed.  But they’re warm and taste like paper.  Prepare!
  • Dust.  As green as Piedmont Park is, you can’t trample it with 50,000 people without creating dust.  Lots of it.  If you have allergies, bring a mask, bandana, etc.  If it’s a medical concern, get a rated dust mask for general particulates or talk to your doctor. The dust gets worse each day unless it rains (foreshadowing). 
  • Experience.  If you want the action up close, or in the midst of a throng of people, no problem.  Your feet can take you there.  If you want to “chill,” there is a hill leading down to the major stages (Peachtree and Piedmont) that provides an elevation and a distant view of both stages, both of which feature video panels at their sides.  The other consideration here is that these hills generally are shaded through the day.  Bring a blanket, claim some space, and try not to position yourself in a “lane” where people will traffic back and forth. For the smaller stages, Ponce de Leon has several trees also on a hillside, not quite as distant but shade is shade.  The Criminal Records stage… there’s a tree or two to the side, but what’s an hour in the sun?
  • Fans. The manual kind that you wave at yourself?  Just fine. Battery-powered ones that you hold or put around your neck. A help. The ones that also mist you? The bomb.  The festival also provided more giant misting fans around the fest this year.  Hopefully, they’ll continue to add to the count and locations.
  • Festival rules.  Read them. There’s a policy for bag types and sizes, and other things that are not permitted.  Charm doesn’t work with the security staff. 

 

Alrighty!  Pictures!  With some words.  Enjoy. 

 

Cartel

Let’s start an Atlanta festival with Atlanta rockers!  What began 20+ years ago as a pop-punk or emo-pop band may still be their official music genre if a trivia game breaks out.  Who cares?  Great energy, high volume, good riffs and hooks, and the perfect welcome to Shaky Knees.

The band covered their biggest hits, including “Honestly,” “Faster Ride,” “The Fortunate,” and as their closer, “Say Anything (Else).” But they also featured songs from their new album, Learning How to Cope, kicking the set off with “Give or Take,” which they and the audience did. 

And then they were off to Chicago for Riot Fest!

Snow Strippers

Duo Graham Perez and Tatiana Hazel are Snow Strippers, an electropop duo, sharing some traits with glitch (that’s a genre). Take a DJ, a singer, and a bunch of effects knobs and see what comes out?  That’s what they do. Anthem trance, dark and buzzy synths, and dance energy, all of which kept the crowd jumping… five minutes past their allotted hour when the sound was cut. 

Also, their light show demands an interior venue or nighttime slot. 

Hot Mulligan

“I’m going to burst into flames here!”  Welcome to the Piedmont stage, Nathan “Tades” Sanville. Michigan had their own heat wave this summer, but we were all swimming in it, and for this energetic front-man facing the not-yet setting sun, there’s only one thing to do.  Play on. He did, and Sanville was the show, as his bandmates were essentially inert through the set.

Like Cartel, the band occupies a punk-adjacent rock landscape, aggressive and mathy at times.  Sanville has a raw, throat-shredding style, and the band played twenty-ish songs that helpfully give his throat a moment or three to recover.     “How Do You Know It’s Not Armadillo Shells?” started the set, emo through and through.  The lyrics get lost sometimes, or frequently, in live shows, so don’t let “emo” throw you off from searching them out.  “Equip Sunglasses” didn’t make the list.  Hmm.  I get there’s new material, but. 

Geese

Geese did what they do. Bring fans and add fans. Plenty along the rails came just to see them.  This was probably the youngest hard-core crowd, which speaks to a long career to come.  The Brooklyn band has grown immensely since their first Shaky appearance in 2021, and now they’re a powerhouse act.  Signs and sing-alongs were both frequent.  Who knew “Getting Killed” would be so popular?  Tossing in a drum solo, and they’re a festival ace.

TURNSTILE

TURNSTILE isn’t a stranger to Atlanta, having appeared at Masquerade many times.  And here they are at Shaky, their audience finally growing to appreciate a band that has become mainstream… well, rock.  Indie, Alt, grunge, pop-punk, hardcore… rock. 

Brendan Yates is the performance bomb, and this is a band that just keeps growing along with him as he continues to explore writing, production and directing.  Circle pits, shouts of “hey!” videos of local fans and city pride, the focus on hardcore love… all these were a masterstroke for the all-too short performance.  The band hit my two favorites, “Sole” and “Birds.” And, closing the set with “T.L.C. (Turnstile Love Connection)” was a stroke of genius.

Danny Elfman

Photo: Taylor Regulski for Shaky Knees
Photo: Taylor Ruguliski for Shaky Knees
Danny Elfman? Or Oingo Boingo?  Take your pick.  But you’re not limited to one or the other during his concert.  A brain dump of thoughts.  Deep grooves, lots of vocal effects, pitch shifting, stereo panning, pounding 90’s metal drums, lots of 90’s graphics on the screen, collages, maggots, Trump, faces contorting, an orchestra with Spiderman clips when playing soundtrack… 
 
And so it goes. Elfman apologized for the show being sick twisted and upside down, then added “Now you know what its like in my head.”  And then fitting such a wide variety within an hour.  Setlist!  This was THE set for many fans attending on Friday.
 
Takeaway: Elfman is working on a new rock album and will be supporting it with a 2026 world tour.  Let’s hope it includes Atlanta for a broader reach into his twisted mind. 
 

The Strokes

The Strokes.  Third time’s the charm? Absolutely, but so were the band’s earlier appearances in 2015 and 2021.  The crowd sang to every song, because The Strokes are just.that.big.  And that’s from the start, for a setlist that featured the band’s biggest hits at the end.  The band’s instrumentation was as tight as ever, interrupted only by an amp failure after “Take It or Leave It.”   (It’s too bad that didn’t “accidentally” happen before or during their new song, “Going to Babble On.”  Still, a gap is a gap, and Julian Casablancas filled the void talking about AI and billionaires to an agreeable, cheering crowd.  

Before “Last Nite, (the song before the closer), Julian commented that the crowd looked “ready to go home.” If true, it wasn’t because of the band’s songs from their new album, Reality Awaits, or performance. Atlanta heat takes its toll. 

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