Shaky Knees 2026 opened Friday at Atlanta’s Piedmont Park with The Strokes, Turnstile, Fontaines D.C., Danny Elfman and more kicking off three days of music. This year’s the festival began later than previous years at 5PM, and given Atlanta weekday traffic that makes sense. It wasn’t the usual gradual flow of arrivals, however. The crowd poured in when the gates opened at 4PM, despite the temperature 94°F hanging around on into the early evening.
For future reference, no. Atlanta is not always this hot in September. But, when it comes to weather, you don’t know what you’re going to get. Similarly, fans also don’t know what they’re going to get at the Merch tent, which quickly found itself with lines 100 people deep. Quality merch and lots of it featuring almost all the bands plus an abundance of Shaky Knees gear, where they’ve upped their game in offerings. But, it does make sense to grab what you like without risking it running out of stock, as well as hitting it early before the band start.
If you’re thinking about 2027 Shaky Knees, you’re more likely to read it here than elsewhere in the posts, so let’s get to it.
Alrighty! Pictures! With some words. Enjoy.
Let’s start an Atlanta festival with Atlanta rockers! What began 20+ years ago as a pop-punk or emo-pop band may still be their official music genre if a trivia game breaks out. Who cares? Great energy, high volume, good riffs and hooks, and the perfect welcome to Shaky Knees.
The band covered their biggest hits, including “Honestly,” “Faster Ride,” “The Fortunate,” and as their closer, “Say Anything (Else).” But they also featured songs from their new album, Learning How to Cope, kicking the set off with “Give or Take,” which they and the audience did.
And then they were off to Chicago for Riot Fest!
Duo Graham Perez and Tatiana Hazel are Snow Strippers, an electropop duo, sharing some traits with glitch (that’s a genre). Take a DJ, a singer, and a bunch of effects knobs and see what comes out? That’s what they do. Anthem trance, dark and buzzy synths, and dance energy, all of which kept the crowd jumping… five minutes past their allotted hour when the sound was cut.
Also, their light show demands an interior venue or nighttime slot.
“I’m going to burst into flames here!” Welcome to the Piedmont stage, Nathan “Tades” Sanville. Michigan had their own heat wave this summer, but we were all swimming in it, and for this energetic front-man facing the not-yet setting sun, there’s only one thing to do. Play on. He did, and Sanville was the show, as his bandmates were essentially inert through the set.
Like Cartel, the band occupies a punk-adjacent rock landscape, aggressive and mathy at times. Sanville has a raw, throat-shredding style, and the band played twenty-ish songs that helpfully give his throat a moment or three to recover. “How Do You Know It’s Not Armadillo Shells?” started the set, emo through and through. The lyrics get lost sometimes, or frequently, in live shows, so don’t let “emo” throw you off from searching them out. “Equip Sunglasses” didn’t make the list. Hmm. I get there’s new material, but.
Geese did what they do. Bring fans and add fans. Plenty along the rails came just to see them. This was probably the youngest hard-core crowd, which speaks to a long career to come. The Brooklyn band has grown immensely since their first Shaky appearance in 2021, and now they’re a powerhouse act. Signs and sing-alongs were both frequent. Who knew “Getting Killed” would be so popular? Tossing in a drum solo, and they’re a festival ace.
TURNSTILE isn’t a stranger to Atlanta, having appeared at Masquerade many times. And here they are at Shaky, their audience finally growing to appreciate a band that has become mainstream… well, rock. Indie, Alt, grunge, pop-punk, hardcore… rock.
Brendan Yates is the performance bomb, and this is a band that just keeps growing along with him as he continues to explore writing, production and directing. Circle pits, shouts of “hey!” videos of local fans and city pride, the focus on hardcore love… all these were a masterstroke for the all-too short performance. The band hit my two favorites, “Sole” and “Birds.” And, closing the set with “T.L.C. (Turnstile Love Connection)” was a stroke of genius.
The Strokes. Third time’s the charm? Absolutely, but so were the band’s earlier appearances in 2015 and 2021. The crowd sang to every song, because The Strokes are just.that.big. And that’s from the start, for a setlist that featured the band’s biggest hits at the end. The band’s instrumentation was as tight as ever, interrupted only by an amp failure after “Take It or Leave It.” (It’s too bad that didn’t “accidentally” happen before or during their new song, “Going to Babble On.” Still, a gap is a gap, and Julian Casablancas filled the void talking about AI and billionaires to an agreeable, cheering crowd.
Before “Last Nite, (the song before the closer), Julian commented that the crowd looked “ready to go home.” If true, it wasn’t because of the band’s songs from their new album, Reality Awaits, or performance. Atlanta heat takes its toll.