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Patterson Hood is a prolific writer and performer whose character-driven stories are packed with political subtext. He is best known as front man, singer, songwriter, and guitar player for the critically acclaimed rock and roll band Drive-By Truckers, but is also a writer of essays, columns, and short stories as well as a solo performer and producer. In the past few years, he has written an op-ed on the on-going controversies surrounding the confederate flag for The New York Times Magazine, a piece on Vic Chesnutt for The Oxford American’s annual music issue, and retrospectives on David Bowie for American Songwriter and Merle Haggard for NPR. Most recently in October of 2016, Patterson published his first short story featured in “The Highway Kind,” a car-themed crime fiction anthology.
Drive-By Truckers have released 14 studio albums and played well over 2,500 shows in the past twenty-eight years. They also released a 35-song, career-spanning box set in 2015 that was recorded live at The Fillmore in San Francisco. They released a trilogy of studio albums, American Band (ATO Records, 2016), The Unraveling (ATO Records, 2020) and The New OK (ATO Records, 2020) have seen the band move into a more direct political and topical sphere of writing garnering praise from critics and fans around the globe. In 2022 they released Welcome 2 Club XIII (ATO) which reflected on their formative years, juxtaposing the wild follies of youth with the joys and hardships of raising kids who are now the ages he and partner Mike Cooley were when they began playing together in 1985.
In addition to the rave reviews from NPR, Rolling Stone, The Independent, UNCUT, MOJO, Pitchfork, Chicago Tribune and The Guardian, Hood and Cooley appeared on CNN’s Reliable Sources where they were interviewed by John Avion. The Unraveling entered the charts as the #1 Americana Album in the UK. In the US it was the #1 album on the Independent Chart, #1 Americana / Folk, #2 Rock, #2 Vinyl and #10 on Billboard’s Top Albums chart and #65 on the Billboard 200. They are about to release a deluxe reissue of their breakthrough album Southern Rock Opera and embark on a massive US tour playing it in its entirety for the first time in 22 years.
In addition to his work with Drive-By Truckers, Patterson has amassed three solo albums. He is currently completing a fourth solo album with plans to release it in early 2025. He has co-produced or played on additional albums by Jerry Joseph, Bettye LaVette, Booker T. Jones and The Dexateens. As a speaker and lecturer, he has spoken and conducted classes at Princeton, Indiana University, The University of Georgia, and The University of Alabama. In 2015, he spoke at the Frank and Kula Lumpuris Distinguished Lecture Series at the William J. Clinton Presidential Center in Little Rock, Arkansas, and delivered the commencement address to the graduating class of 2015 at the University of Northern Alabama.
Alabama is near to Hood’s heart, being born in Florence and raised in the Muscle Shoals area. He attended The University ofa Northern Alabama before he moved to Athens, Georgia where he lived for twenty-one years. Athens is the home base for Drive-By Truckers. Every year they play a sold out three-night stand at the legendary 40 Watt Club that is known as HeAthen’s Homecoming. Part of those proceeds go to the suicide prevention non-profit Nuci’s Space which Hood and his wife Rebecca have been very involved with for nearly 25 years.”Southern Rock Opera,” Drive-By Truckers’ best-known work, is a concept album that examines growing up in the post-civil rights South and something called “The Duality of the Southern Thing.” Hood penned an article for The Bitter Southerner in 2013 titled “The New(er) South,” and in it he revisits many of those same themes found on the record by giving a glimpse into his first 28 years of life in Alabama.
“I grew up as a living part of the legacy of Muscle Shoals music,” Hood says. His father, David Hood, co-founded Muscle Shoals Sound Studio and was a bassist in the Muscle Shoals Sound Rhythm Section, more casually known as The Swampers. He built his career by backing up African American R&B stars as a white southerner in the thick of the 1960’s civil rights movement, playing on records by Aretha Franklin, Wilson Pickett, Etta James, The Staple Singers, Percy Sledge, and Bobby Womack to name a few. Willie Nelson, Rod Stewart, Bob Seger, Paul Simon, and Simon and Garfunkel also worked with him over the years. David’s monumental career is celebrated in the 2013 award-winning documentary, “Muscle Shoals.” Patterson claims that this environment his father created for him to grow up in was the breeding ground for a lot of his current viewpoints. He is still “fiercely proud” of his hometown, its music scene, and the beautiful music his father created there, but also “ashamed” of the political landscape he had to endure. “Such is the duality of the Southern Thing,” Patterson says.