Review: Camera Obscura at Variety Playhouse

Making their fourth appearance at Variety Playhouse, Camera Obscura’s singer/songwriter/guitarist Tracyanne Campbell commented that it’s really nice to come back to Atlanta and a familiar venue. Atlanta fans and elsewhere were happy for the opportunity, as it had been 11 years since their last visit. In between was the passing of key collaborator Carey Lander, a focus on family and eventually a reawakening that they retained an audience-in-waiting following a pivotal and encouraging reception at/on Stuart Murdoch’s invitation to join Belle and Sebastian’s curated Boaty Weekender cruise.

A boost in confidence of resuming band operations also included a separate duo release with Danny Coughlan and, notably, the find of a new collaborative partner in keyboardist Donna Maciocia. That confidence was on display in the band’s touring setlist that changes from night to night but which has consistently begun with two songs from their (finally) released album, Look to the East, Look the West. Like their tour, it’s their first album in a decade.

A bit sonically stripped down from past albums (no reverb or orchestration), the songs just fit into their more familiar songs. Perhaps the lyrics are less familiar, but it didn’t prevent those attending from swaying in place.

Through the course of the set, it was obvious that Donna Maciocia has a vital role, not only musically, but also as a visible encouragement and support to Tracyanne, who frequently looked her direction and invariably found a beacon of positivity. Maciocia seemed the happiest person on stage.

As readily digestible as the band’s melodies are, they’re so captivating that it’s easy to lose track of the lyrics. Some, like “We’re Going to Make it in a Man’s World,” are obvious by the title and chorus. Others, like “Denon,” are in various ways musically beautiful, but personal, thoughtful and mature. It’s music to digest initially and then to enjoy the closeness of the meaning afterwards as you experience it again and again. Particularly for the new songs, occasional introductions would have helped to soak in the fullness of what was being offered.

Also, as their flawless melodies deliciously snappy beats carry each song, wow, what a difference percussion and brass adds to their music. It doesn’t dominate, but adds just the right accents in the best suited moments to take the moment to the next level. Overall, it was a great show for fans, and, as highlighted during the show, some concert newbies as well.

Hailing from Glasgow, a Scottish accent is always a thing for Americans to enjoy deciphering. Tracyanne’s wasn’t so difficult to make out, and she clearly hinted they’ll be back to their familiar venue, and closed the evening as directly as many of her lyrics, “Thank you very much.”